David Bowie Albums Ranked: Fan Favorites (2025)
David Bowie. The name alone conjures images of constant change, a master of reinvention who painted with sound and style.
Attempting to chart his studio albums is like navigating a cosmos of musical innovation. It's a discussion that always ignites passion among music lovers.
Here, we delve into the David Bowie albums ranked, primarily through the lens of fan sentiment. This gives us a unique view on what many consider the best David Bowie albums.
We'll also explore how his rich discography fares based on current popularity data.
Ranking David Bowie's albums: The fan favorites
Here's how the albums stack up based on fan sentiment, community discussions, and overall buzz.
We're starting with the most beloved.
1. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
This groundbreaking 1972 album unleashed the iconic Ziggy Stardust persona upon the world.
It's a concept album chronicling the journey of a science fiction-based, androgynous rock star.
The accompanying Ziggy Stardust Tour became legendary. Bowie famously retired the character live on stage in July 1973, a moment captured in a later documentary film.
The album itself is a cornerstone of glam rock and a defining statement in David Bowie's career.
Key tracks:
- Starman
- Moonage Daydream
Topping our fan-driven list is, perhaps unsurprisingly, The Rise and Fall of Ziggy Stardust and the Spiders from Mars.
Its enduring power lies in its complete world-building and unforgettable anthems. This record isn't just an album; for many, it's a defining cultural moment.
The fusion of groundbreaking concept, iconic imagery, and stellar songwriting solidifies its legendary status among David Bowie enthusiasts.
2. Hunky Dory (1971)
Released in 1971, Hunky Dory showcased a significant artistic leap for David Bowie.
Bowie composed many of these songs on piano, resulting in a warmer, more melodic art pop and pop rock sound.
The album explores themes of artistic reinvention and features tributes to figures like Andy Warhol and Bob Dylan. Ken Scott co-produced the album, and Rick Wakeman provided notable piano work.
Despite initially poor sales due to little promotion, Hunky Dory gained renewed interest after Ziggy Stardust's success. It's often seen as the album where "Bowie starts to become Bowie."
Key tracks:
- Life on Mars?
- Changes
Securing the second spot, Hunky Dory holds a very special place in the hearts of many David Bowie fans.
Its blend of beautiful melodies, poetic lyrics, and early signs of Bowie's transformative genius makes it a deeply cherished work. It's often praised for its timeless quality and emotional depth.
3. Low (1977)
Low, released in 1977, is the first installment of David Bowie's influential "Berlin Trilogy."
This album, created with Brian Eno and Tony Visconti, marked a significant departure, embracing electronic and ambient approaches.
It famously features more conventional, though often fragmented, rock tracks on its first side. The second side is predominantly instrumental and atmospheric.
Recorded partly in France and Berlin, Low's innovative sound and structure had a profound impact on future music.
Key tracks:
- Sound and Vision
- Breaking Glass
Coming in at number three, Low is revered by fans for its audacious artistic pivot and profound influence.
Its atmospheric soundscapes and introspective mood resonate deeply. Many listeners appreciate its boundary-pushing nature and the stark emotional honesty it conveys.
4. Station to Station (1976)
Station to Station, from 1976, is a pivotal work and introduced Bowie's persona, The Thin White Duke.
Recorded in Los Angeles after Bowie filmed "The Man Who Fell to Earth," the album reflects a period of intense personal turmoil for the artist.
Musically, it bridges the funk and soul of Young Americans with emerging influences from German Krautrock bands like Neu! and Kraftwerk.
Lyrically, themes of mythology, religion, and philosophy are prominent. This album marked a transition towards the "Berlin Trilogy" period.
Key tracks:
- Golden Years
- Wild Is the Wind
At number four, Station to Station is lauded by fans as a masterful and complex creation.
Its unique blend of soulful grooves and avant-garde sensibilities, coupled with the intriguing Thin White Duke persona, makes it a fascinating and enduring listen. Many fans point to its daring creativity and emotional depth.
5. "Heroes" (1977)
The 1977 album "Heroes" stands as a key work from David Bowie's "Berlin Trilogy."
This influential record is often highlighted in career-spanning compilations and box sets, such as "A New Career in a New Town."
It solidified Bowie's exploration of art rock and experimental sounds during this incredibly fertile period. The title track, of course, became one of his most iconic anthems.
Key tracks:
- Heroes
- Beauty and the Beast
"Heroes" claims the fifth spot in our fan ranking, celebrated for its artistic bravery and iconic title song.
Fans often praise its atmospheric depth and the raw emotion conveyed, particularly in the legendary title track. It's seen as a powerful statement from a creatively charged era.
6. Aladdin Sane (1973)
Released in 1973, Aladdin Sane followed the breakthrough success of Ziggy Stardust.
It was largely written while Bowie was touring the United States, and the American experience heavily influenced its sound and themes.
The album presents a tougher, heavier glam rock style, with lyrics touching on urban decay, drugs, and violence, reflecting "Ziggy Stardust goes to America." Pianist Mike Garson's contributions are a standout feature.
The iconic lightning bolt cover art is one of Bowie's most recognizable images. It became his most commercially successful record up to that point.
Key tracks:
- The Jean Genie
- Lady Grinning Soul
Aladdin Sane lands at number six, admired by fans for its edgy evolution of the glam rock sound.
Listeners often highlight its raw energy and the iconic imagery associated with it. The album captured a sense of decadent excitement and Bowie's burgeoning global stardom.
7. Scary Monsters (And Super Creeps) (1980)
Scary Monsters (And Super Creeps), released in 1980, marked Bowie's first studio album after the "Berlin Trilogy."
It aimed for a more commercial sound while retaining artistic depth, incorporating elements of art rock, new wave, and post-punk.
Unlike the improvisational nature of his Berlin work, Bowie spent more time writing specific music and lyrics for this album. Robert Fripp returned on guitar, and Pete Townshend made a guest appearance.
The single "Ashes to Ashes" famously revisited the Major Tom character from "Space Oddity." The album was a critical and commercial success.
Key tracks:
- Ashes to Ashes
- Fashion
Ranked seventh by fans, Scary Monsters (And Super Creeps) is often hailed as a brilliant capstone to Bowie's most innovative decade.
Its blend of accessible art-pop and unsettling themes, along with iconic tracks like "Ashes to Ashes," resonates strongly. Many fans consider it his "last great album" of that era.
8. Young Americans (1975)
Released in 1975, Young Americans marked a significant stylistic shift for David Bowie.
This album saw him immerse himself in American soul and R&B, a sound he dubbed "plastic soul."
It features the hit single "Fame," co-written with John Lennon, and showcases a smoother, more funk-infused side of Bowie's artistry.
Key tracks:
- Fame
- Young Americans
Young Americans arrives at number eight, appreciated by fans for its bold embrace of new musical directions.
Its smooth, soulful sound and danceable tracks offer a different flavor in Bowie's catalog. The album's confident swagger and hit singles are often noted by listeners.
9. Diamond Dogs (1974)
David Bowie's 1974 album, Diamond Dogs, presents a dystopian vision.
Originally conceived as a theatrical production of George Orwell's "Nineteen Eighty-Four," it evolved into its own distinct concept.
The album features a raw, guitar-driven sound, with Bowie himself handling much of the lead guitar work. It introduced the character Halloween Jack.
Key tracks:
- Rebel Rebel
- Diamond Dogs
At number nine, Diamond Dogs is favored by fans for its gritty atmosphere and ambitious concept.
Its dark, theatrical quality and iconic tracks like "Rebel Rebel" make it a memorable and distinctive part of Bowie's 70s output. Many appreciate its raw power and dystopian storytelling.
10. Blackstar (2016)
Released on David Bowie's 69th birthday in 2016, Blackstar (stylised as ★) was his twenty-sixth and final studio album.
Recorded in secret, the album features a group of New York jazz musicians. It saw Bowie exploring experimental art rock with strong jazz inflections.
Bowie took inspiration from artists like Kendrick Lamar during its production. The album was released just two days before Bowie's death from cancer.
Producer Tony Visconti described it as Bowie's intended swan song and a "parting gift" for his fans. It received universal acclaim and won multiple Grammy Awards.
Key tracks:
- Lazarus
- ★
Blackstar, rounding out the top ten, is profoundly respected by fans as a powerful and poignant final statement.
Its artistic daring, haunting lyrics, and the context of its release lend it immense emotional weight. Listeners often describe it as a challenging yet deeply rewarding experience.
11. Lodger (1979)
Lodger, released in 1979, is the final album in David Bowie's "Berlin Trilogy," following Low and "Heroes".
Recorded with Brian Eno and Tony Visconti, sessions took place in Switzerland and New York City. The album featured newcomer guitarist Adrian Belew.
Musically, Lodger moves away from the split song/instrumental structure of its predecessors. It favors more conventional song forms while exploring art rock, new wave, and world music influences.
Lyrical themes often revolve around travel and critiques of Western civilization. The album initially received mixed reviews but has grown in stature over time.
Key tracks:
- Boys Keep Swinging
- D.J.
Just outside the top ten, Lodger holds a firm place for many fans as an underrated gem from the Berlin era.
Its eclectic mix of sounds and often quirky, observational lyrics offer a unique listening experience. Many appreciate its experimental spirit and a sense of restless creativity.
12. The Man Who Sold the World (1970)
David Bowie's 1970 album, The Man Who Sold the World, marked a significant shift towards a harder rock sound.
It featured the musicians who would soon become known as The Spiders from Mars: Mick Ronson and Mick Woodmansey.
The album's heavier sound and darker lyrical themes set it apart from Bowie's previous folk-influenced work. It gained wider recognition after his later success.
Key tracks:
- The Man Who Sold the World
- The Width of a Circle
At number twelve, The Man Who Sold the World is appreciated by fans for its heavy, proto-glam sound and influential title track.
It's seen as a crucial stepping stone towards Ziggy Stardust, showcasing Bowie's growing confidence and darker thematic explorations. Mick Ronson's guitar work is often highlighted.
13. Let's Dance (1983)
David Bowie's 1983 album, Let's Dance, catapulted him to massive global superstardom.
Produced by Nile Rodgers of Chic, the album featured a sleek, danceable post-disco and new wave sound.
It spawned several hit singles, including the title track, "Modern Love," and "China Girl." Guitarist Stevie Ray Vaughan's contributions were also a highlight.
Key tracks:
- Let's Dance
- Modern Love
Let's Dance holds the thirteen position, a testament to its immense commercial success and infectious appeal.
While some long-time fans had mixed reactions to its mainstream sound, many appreciate its slick production and undeniably catchy hits. It introduced Bowie to a new generation of listeners.
14. Heathen (2002)
Released in 2002, Heathen marked David Bowie's reunion with producer Tony Visconti for a full album for the first time since 1980.
The album displays an art rock and art pop sound, often seen as reminiscent of his 1970s work. It featured guest appearances from Dave Grohl and Pete Townshend.
Lyrically, Heathen explores themes of dread, ageing, and spirituality. Some tracks were interpreted as responses to the September 11 attacks, though Bowie downplayed direct influence.
The album was well-received, representing a creative and commercial resurgence for Bowie at the time.
Key tracks:
- Slow Burn
- Everyone Says 'Hi'
Heathen comes in at number fourteen, widely regarded by fans as a strong return to form for Bowie in the 2000s.
Its mature themes, rich soundscapes, and the reunion with Tony Visconti are often cited as highlights. Many fans found it a reassuring and artistically satisfying release.
15. The Next Day (2013)
The Next Day, released in 2013, was David Bowie's first album of new material in a decade.
Its surprise announcement on Bowie's 66th birthday caught fans and media off guard. The album was co-produced with Tony Visconti and recorded in secret.
Primarily an art rock album, it references various styles from Bowie's past. The lyrics often draw from historical themes and explore concepts of tyranny and violence.
The cover art famously adapted the artwork of his 1977 album "Heroes". The Next Day was a critical and commercial success, topping charts worldwide.
Key tracks:
- Where Are We Now?
- Valentine's Day
Positioned at fifteen, The Next Day was a welcome and highly praised return for many David Bowie fans.
Its surprise release generated immense excitement. Listeners appreciated its energetic rock sound and thoughtful lyrics, seeing it as a vital addition to his later-career work.
16. 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995)
David Bowie's 1995 album, 1. Outside, marked his reunion with Brian Eno.
It's an ambitious concept album, subtitled "The Nathan Adler Diaries: A Hyper Cycle." The narrative revolves around art, murder, and dystopia.
Musically, it delves into industrial rock and experimental soundscapes, creating a dark and immersive atmosphere. The album was intended as the first in a series.
Key tracks:
- I'm Deranged
- Hallo Spaceboy
1. Outside lands at number sixteen. It is valued by a segment of fans for its challenging concept and experimental nature.
Its dense narrative and industrial textures make it a demanding listen. However, those who connect with it praise its artistic ambition and dark, cinematic quality.
17. Black Tie White Noise (1993)
Released in 1993, Black Tie White Noise marked David Bowie's return to solo work after his Tin Machine period.
The album was co-produced with Nile Rodgers, who previously helmed Let's Dance. It incorporates elements of soul, jazz, and dance music.
Influenced by his recent marriage to Iman, the album explores themes of racial harmony and personal reflection. It featured Bowie's first UK number-one album since 1983.
Key tracks:
- Jump They Say
- Miracle Goodnight
Black Tie White Noise is ranked seventeenth. Fans often see it as a sophisticated and mature work from Bowie's 90s era.
Its blend of electronic and acoustic sounds, along with its topical themes, appeals to listeners looking for a more contemporary Bowie sound. The reunion with Nile Rodgers was also a point of interest.
18. David Bowie (aka Space Oddity) (1969)
David Bowie's second self-titled album, later reissued as Space Oddity, was released in 1969.
This album marked a shift towards folk rock and psychedelic rock influences. It features the iconic titular track, "Space Oddity," which became his first major hit.
The album showcases Bowie's developing songwriting talents and early thematic explorations. Its content is diverse, ranging from story-songs to more introspective pieces.
Key tracks:
- Space Oddity
- God Knows I'm Good
Holding the eighteenth spot, Bowie's 1969 self-titled album (often known as Space Oddity) is significant for launching his career.
Fans appreciate it as a charming early work, with "Space Oddity" itself being a monumental song. The album offers a glimpse into the artist Bowie was about to become.
19. Earthling (1997)
Released in 1997, Earthling saw David Bowie dive headfirst into the sounds of 1990s electronic music.
The album heavily incorporates elements of drum and bass, industrial, and techno. This created a distinct, contemporary sound for Bowie at the time.
Tracks like "Little Wonder" and "I'm Afraid of Americans" (in its V1 version) showcased this energetic and aggressive new direction. The album was co-produced by Bowie, Reeves Gabrels, and Mark Plati.
Key tracks:
- I'm Afraid Of Americans
- Little Wonder
Earthling is ranked at nineteen, and it tends to be a polarizing album among David Bowie fans.
Some listeners embrace its bold foray into 90s electronica and drum and bass. Others find the sound a departure that hasn't aged as well as his classic works. Its energy, however, is undeniable.
20. Reality (2003)
David Bowie's 2003 album, Reality, was co-produced with Tony Visconti.
It features a more straightforward rock sound compared to its predecessor, Heathen. Bowie envisioned these songs as being well-suited for live performance.
The album includes covers of The Modern Lovers' "Pablo Picasso" and George Harrison's "Try Some, Buy Some." A primary theme throughout is reflections on ageing.
Reality was supported by the extensive "A Reality Tour," which was Bowie's final concert tour.
Key tracks:
- Rebel Rebel
- New Killer Star
Coming in at number twenty, Reality is generally seen by fans as a solid and enjoyable rock album from Bowie's later period.
Its directness and energy are appreciated, and it provided strong material for his final tour. Many fans find it a confident and engaging listen.
21. The Buddha Of Suburbia (1993)
The Buddha Of Suburbia, released in 1993, served as the soundtrack to the BBC television series of the same name.
David Bowie composed the music inspired by the series. The title track itself became a single.
The album sees Bowie experimenting with various moods and textures, reflecting the themes and atmosphere of the source material. It's often considered an underrated gem in his discography.
Key tracks:
- Buddha Of Suburbia
- Strangers When We Meet (Buddha Version)
Ranked at twenty-one, The Buddha Of Suburbia is a favorite among a dedicated group of David Bowie fans.
Often praised for its creative freedom and atmospheric quality, it's seen as a more personal and less commercial project. Listeners who discover it often champion its unique charm.
22. Pinups (1973)
Released in 1973, Pinups is David Bowie's album of cover songs.
It features Bowie tackling tracks by his favorite 1960s British bands, including The Who, The Kinks, and Pink Floyd.
The album was recorded during a highly productive period for Bowie, showcasing his interpretative skills and paying homage to his influences.
Key tracks:
- Sorrow
- Here Comes the Night
Pinups holds the twenty-second spot. Fans often enjoy it as a fun and energetic tribute to Bowie's musical roots.
While not an album of original material, its enthusiastic performances and choice of songs make it an enjoyable listen for many. It captures a specific moment in his Ziggy-era peak.
23. ‘hours…’ (1999)
David Bowie's 1999 album, ‘hours…’, offered a more introspective and melodic sound.
It moved away from the industrial and electronic experiments of his mid-90s work. The album features more conventional song structures and often reflective lyrics.
Some of its tracks originated from the video game "Omikron: The Nomad Soul," in which Bowie also appeared. It's often seen as a more personal and subdued entry in his discography.
Key tracks:
- Thursday's Child
- Something In The Air
Ranked at twenty-three, ‘hours…’ resonates with fans who appreciate Bowie's more contemplative and melodic side.
Its lyrical themes of time, relationships, and reflection offer a mature perspective. While sometimes overlooked, it holds a quiet charm for many listeners.
24. Tonight (1984)
Released in 1984, Tonight followed the massive success of Let's Dance.
The album continued Bowie's exploration of commercial pop and dance sounds, with a notable reggae influence on some tracks.
It features collaborations with Iggy Pop and Tina Turner. The album included a mix of new originals and cover songs.
Key tracks:
- Blue Jean
- Loving The Alien
Tonight holds the twenty-fourth position in our fan ranking. It's often viewed as a mixed bag by listeners.
While it contains some well-regarded tracks like "Blue Jean" and "Loving The Alien," fans generally consider it a less consistent effort compared to its predecessor or Bowie's classic works.
25. David Bowie (1967)
David Bowie's self-titled debut album was released in 1967.
This early work showcases a markedly different style from his later, iconic sound. It's characterized by whimsical, baroque pop and music hall influences.
The album features story-songs and character sketches, offering a glimpse into Bowie's nascent theatricality. It bears little resemblance to the rock and art-pop he would later pioneer.
Key tracks:
- Come And Buy My Toys
- When I Live My Dream
Near the end of our fan ranking, at number twenty-five, is David Bowie's 1967 debut.
Fans generally view this album as a historical curiosity. It offers a fascinating look at Bowie's very early style, which is quite distinct from the sounds that made him a legend.
26. Never Let Me Down (1987)
Never Let Me Down, David Bowie's seventeenth studio album, was released in 1987.
Co-produced by Bowie and David Richards, it featured guitarist Peter Frampton. Bowie aimed for a return to rock and roll music with this project.
Despite commercial success, the album was poorly received by critics and many fans at the time. Bowie himself later expressed dissatisfaction with its production.
The album was supported by the elaborate Glass Spider Tour. A remixed and partially re-recorded version, Never Let Me Down 2018, was later released.
Key tracks:
- Time Will Crawl
- Never Let Me Down
Concluding our fan-based ranking is Never Let Me Down at number twenty-six.
This album is often cited by fans as one of Bowie's weaker efforts. While some individual tracks find appreciation, the overall production and direction of the album are common points of criticism.
David Bowie albums: A look at popularity data
While fan sentiment paints a rich picture, current popularity data can offer another interesting angle.
This looks at an artist's discography through a different lens.
Below is a ranking of David Bowie's albums based on their popularity scores from available data. This reflects which releases are currently seeing significant engagement.
| Popularity Rank | Album Title | Release Year |
|---|---|---|
| 1 | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 1972 |
| 2 | Let's Dance | 1983 |
| 3 | Hunky Dory | 1971 |
| 4 | "Heroes" | 1977 |
| 5 | David Bowie (aka Space Oddity) | 1969 |
| 6 | Diamond Dogs | 1974 |
| 7 | Young Americans | 1975 |
| 8 | Aladdin Sane | 1973 |
| 9 | Scary Monsters (And Super Creeps) | 1980 |
| 10 | Low | 1977 |
| 11 | Station to Station | 1976 |
| 12 | The Man Who Sold the World | 1970 |
| 13 | Blackstar | 2016 |
| 14 | Pinups | 1973 |
| 15 | The Next Day | 2013 |
| 16 | Heathen | 2002 |
| 17 | 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) | 1995 |
| 18 | Tonight | 1984 |
| 19 | Lodger | 1979 |
| 20 | Reality | 2003 |
| 21 | Earthling | 1997 |
| 22 | David Bowie | 1967 |
| 23 | ‘hours…’ | 1999 |
| 24 | Black Tie White Noise | 1993 |
| 25 | Never Let Me Down | 1987 |
| 26 | The Buddha Of Suburbia | 1993 |
| 27 | Metrobolist (aka The Man Who Sold The World) | 2020 |
| 28 | Black Tie White Noise (Extras) | 1993 |
Quick FAQs about David Bowie's albums
Q: What is the significance of the Ziggy Stardust persona?
A: Ziggy Stardust was David Bowie's science fiction-based, theatrical, and androgynous rock star character. This persona, central to the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, became a cultural phenomenon in the early 1970s.
Q: When did David Bowie retire the Ziggy Stardust character?
A: David Bowie dramatically retired Ziggy Stardust on stage at the Hammersmith Odeon in London on July 3, 1973. He announced it would be "the last show that we'll ever do," signaling the end of that iconic era.
Exploring the vast discography of David Bowie is a never-ending adventure. Each album represents a distinct artistic vision.
Fan sentiment offers a personal connection to these works. Popularity data, on the other hand, shows current engagement trends.
What does your personal list of David Bowie albums ranked look like? Which one do you consider the best David Bowie album, and why does it resonate with you?